How Point of View Works For Fiction

In works of fiction, point of view can play very specific goals. Choosing one, you define how you're going to tell a story, setting very specific limitations that can help or hinder it.

First person. The first person unites the reader with the narrator, as the latter shares a series of intimate information that only the two of them could know. Done well, it can make the readers part of the entire story, as they experience it from a specific character's perceptions. On the down side, this "closeness" with the narrator limits the readers' connections with other characters.

Second person. The second person puts the readers in the actual scene, pushing them to confront events and circumstances directly. It typically requires heavy participation for the reader and, as such, is rarely employed.

Third person omniscient. This point of view allows you to explore all the characters' thoughts and motivations, paying extended attention to each one as needed. This might be a great choice if your story involves more than one figure that is central to the story, giving you the facility to give them individual treatment.

Third person limited. This point of view tells it from a detached position, yet offers the intimacy of a central character's perceptions. You can think of it as a mix of the first and third person omniscient.

Regardless of which point of view you end up taking for your short story, you should look towards getting the help of fiction writing software to aid you. With one, you can focus on telling your tale, rather than get bogged down by technical details stemming from the need to stay faithful to your point of view.

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